The Reader

1950s Germany: a teenage lad ends up knocking around with a sultry blond tram conductress. For some reason she gets him to read classics to her before she teaches him a new position. Although the reading is a bit odd at first, he enjoys it.

The affair lasts the summer and then she disappears. By the mid 60s the young man is a law student attending a special seminar on a war crimes trial. Who should be sitting in the dock, but his first love. She was a guard at Auschwitz.

The Holocaust and German guilt are major themes, but it is essentially the tragic love story which drives the film. We follow Michael’s relationship with Hanna throughout.

German actor David Kross is utterly convincing as the nervous besotted youth. But Michael holds his own and is soon rutting Hanna in bed with growing confidence. This is not child porn as some critics have argued. This is a fully consensual adult relationship. As with any relationship the power balance is in flux.

Kate Winslet is outstanding as Hanna Schmitz and fully deserving of her Best Actress Oscar. She’s hot, but at the same time mysterious and rather coarse. Her voice is dry with a hard edge – no cheap German accent here. The way she always calls Michael ‘kid’ is brusque yet affectionate.

Hanna is accused of letting 300 Jews die during a death march in 1944. She has a piece of evidence that may help her defence, but she is so ashamed of it that she keeps it a secret to the bitter end.

Are we supposed to feel sorry for Hanna? Most of the film is shot from Michael’s perspective so his point of view offers a guide. He cannot forgive her for what she has done. But is it more the betrayal of his trust or the fact that she was complicit in the Holocaust? It is certainly a mixture of both and her betrayal becomes even more enormous given that she hid her terrible wartime past from him. Think about it, what if your first ever lover was a death camp guard? Wouldn’t that make you complicit?

Ralph Fiennes plays the grown-up Michael and is a perfect match for Kross. The make-up artists do a very thorough job of making Winslet look old as her character ages, maybe too thorough, since she looks like a decrepit zombie. But the overall artfulness of the cinematography lets them get away with it.

Ironically, the book by German author Bernhard Schlink is too cluttered by words. Director Stephen Daldry reads aloud with a clear voice and the emotionally heart of the story shines through.

Eternal Sunshine of the Spotless Mind

OK, I know it’s March now, but it’s no leap year and I want to get one more Winslet piece in before I introduce my next rule of the month.

In 'Eternal Sunshine of the Spotless Mind' she plays Clementine Kruczynski an impulsive American chick always on the lookout for adventure. She meets Jim Carrey’s character Joel Barish at a beech party in New York State. Joel is a reserved sensitive guy who enjoys sketching crazy caricatures and keeping a journal for a hobby. So here you have two very different actors cast in each others’ typical roles: Winslet plays the wild one, Carrey the serious one.

If that isn’t interesting enough, the story itself is an amazing tale about human memory and falling in and out of love.

Joel and Clem find happiness together against the backdrop of a drab winter in their dull East Coast town. But at some point down the line they start to have arguments. Impulsive as ever Clem goes to a doctor who claims to be able to erase specific memories. She simply has the memory of Joel erased from her mind.

Joel finds out and is completely devastated. Carrey is totally convincing as someone who comes up against such an unfathomable crisis. Out of pain and maybe a helpless bid for revenge he decides to undergo the same procedure.


This is when the film really starts to play with your mind. Two geeks from the doctor’s company show up at Joel’s apartment one night to perform the procedure. Patrick (Elijah Wood) and Stan (Mark Ruffalo) hook Joel up to all manner of wires and a brain scanner as he sleeps. They’re great as the careless bumbling removal men! Kirsten Dunst plays Stan’s girlfriend, Mary, but is excellent as the innocent yet compassionate doctor’s secretary.

Meanwhile we see Joel transported back to all his memories of being with Clem – one by one they are deleted. But then he realises that some of the memories he wants to keep and makes a last ditch attempt to save them and his love.

It is a story of heroic hope against the odds. The film’s frenetic confusion is so gripping you won’t dare look away – you want Joel and Clem to rediscover their spark.

French director Michel Gondry seamlessly weaves the story together. The scene where Joel takes Clem back to his childhood to try and escape the memory erasure is one of the movie’s highlights. Gondry plays with the size of the characters – and even switches them for two little children at one point. I’m not sure if I’ve ever seen such a funny yet poignant scene.

The film won the Oscar for Best Original Screenplay in 2005. Although it shares themes with ‘Being John Malkovich’, ‘Spotless Mind’ is a far more engaging piece from screenwriter Charlie Kaufman. Fair credit should also be given to eighteenth century English poet Alexander Pope who penned the poem on which the film is based. The beautiful title is directly taken from his ‘Eloisa to Abelard’.

Kate Winslet was nominated for Best Actress but lost out to Hilary Swank in ‘Million Dollar Baby’. For me it was easier to sympathise with Joel than Clem, but that in no way detracts from a brilliant performance by Winslet. Together Carrey and Winslet pull your heartstrings all over the place, but by the end the emotional gymnastics are most definitely worth it.

Revolutionary Road

Going to watch a heavy drama about a marriage on the rocks may not sound appealing, but ‘Revolutionary Road’ is also an intriguing psychological thriller.

‘You're sick,’ shouts Leo. ‘And you're a pathetic self-deluded little boy,' cries Kate. On-screen relations have evidently soured since ‘Titanic’.

Frank (DiCapiro) and April Wheeler (Winslet) have a nice house and two kids. They’re supposed to be a happy 1950s American couple. But they’re not.

Frank commutes to an office job in the city and April cleans the dishes at home. Their lives are boring and they know it. Deep down each is raging at the other’s lack of understanding.

Then April has it, why not move to Paris? Frank was there and always said it was the only place where people ‘really live’. They tell their neighbours who react politely, but clearly think the idea to be unrealistic.

Meanwhile, Frank is offered a promotion at work whilst April discovers that she is pregnant. Frank dithers at the critical moment.

Leo and Kate both act superbly. Leo’s role as the male-breadwinner is more consistent, but he plays it with fiery aplomb. Kate’s character develops as the film progresses and in my opinion her acting gets better and better too. Not to say it starts bad at all, but I was paying such close scrutiny to her after all the hype that I couldn’t help finding some of her initial lines and facial expressions melodramatic.

Kathy Bates is excellent as the prim and proper neighbourhood estate agent who remains friends with the ‘perfect couple’ after helping them find their house ten years earlier. She has a middle-aged son who spent some time in a lunatic asylum. Michael Shannon is terrific in this role. Expect fireworks in the scene when he visits the Wheelers for tea with his fussy mother and reserved father.

Revolutionary Road may not sound like too much fun, but you’d be missing out if you didn’t go and see it. One scene made me burst into uncontrollable fits of laughter and the next scene made my girlfriend burst into tears (almost). The existential torment in the film is a lot like that in ‘Fight Club’ but in a realistic domestic setting. Who wouldn’t want to see that?

Dark Night at the Cinema

I recently watched 'The Dark Knight' at the English cinema called Turm Palast in Frankfurt am Main.

Maybe you didn't know, but in Germany subtitles are not common. On TV and in cinemas all English films are simply dubbed into German. So you get Bruce Willis, Nicole Kidman etc. speaking German. Of course, it doesn't make much difference for Arnold Schwarzenegger...

The new Batman film was released in August in Germany, so of course I saw it on one of the cinema's smaller screens. It was not a good cinematic experience.

The volume was lower than on my TV set. The seats were falling apart and the faded red upholstery was rotting off before my eyes. I doubt that this cinema has been refurbished since the end of the Second World War.

Just after the bit where the Joker gets put behind bars, there was the sharp 'clack' of a fuse blowing and the screen went black. Apart from disgruntled murmers from the small audience that was that. Film over. The cash machine was closed, but I got my money back the next day.

Obviously, this does not make me the best judge of the film. But what the hell was it actually about?!

The plot was, indeed, bat-like: erratic in flight and virtually blind. Would Heath Ledger's performance as the Joker really have attracted so much attention if he hadn't died shortly after filming?

The Joker was enjoyably psychopathic. But if you really want to be thrilled by a bunch of maniacs, try going to a Slipknot concert.

Christian Bale's performance as Batman was as stiff as his hard rubber suit. In fact, even the action scenes were boring.

I probably would have demanded my money back even if the projector hadn't blown up!

Why did so many people think this film was the best thing since sliced bread?